Skip to main content
  • Westminster Abbey
  • EN
    • English (EN)
    • Français (FR)
    • Deutsch (DE)
    • Nederlands (NL)
    • Portuguĕs (PT)
    • Español (ES)
    • Italiano (IT)
    • Polski (PL)
    • Magyar (HU)
    • Русскийязык (RU)
    • 日本語 (JA)
    • 中文 (ZH)
    • 한국의 (KO)
    • العربية (AR)
  • Visit
  • Worship & music
  • Events
  • Learning
  • Support
  • History
  • About
  • Institute
  • Shop
  • Book tickets
  • Visit
    • Plan your visit
      • What to see and do
      • Multimedia guide
      • Access, facilities and FAQ
      • The Queen's Diamond Jubilee Galleries
        • Your questions answered
      • Abbey Lates
      • Security at the Abbey
      • Memorial of the month
    • Prices & entry times
    • Guided tours
    • Food & drink
    • The Abbey shop
  • Worship & music
    • Worship at the Abbey
      • Abbey clergy
      • Attending a service
    • Services & times
      • Regular services
        • Evensong
        • Morning Prayer
        • Holy Communion
        • Evening Prayer
        • Matins
        • Sung Eucharist
      • Choral services
      • Special services
        • Commonwealth
        • Past special services
      • Our Lady of Pew
      • Organ recitals
      • Edwardtide
      • Christmas
      • Holy Week and Easter
      • Streamed services
    • Streamed Service
    • Music
      • The Abbey Choir and musicians
        • The Choir
        • Choristership
      • Recordings
        • Dove, Weir & Martin: Choral works
        • Parry: Songs of farewell
        • Bairstow, Harris & Stanford: Choral Works
        • Ludford: Missa Videte miraculum
        • Finzi, Bax & Ireland: Choral Music
        • Taverner: Western Wynde Mass
        • Parry: I was glad & other choral works
        • Music for Remembrance
        • Rejoice the Lord is king
        • Tye: Missa Euge bone
        • Music from the reign of King James I
        • The Feast of Saint Peter
        • O praise the Lord
        • A Christmas Caroll
        • Mary and Elizabeth
        • The Feast of the Ascension
        • The Feast of St Michael and All Angels
        • Elgar: Great is the Lord
        • Organ Masterpieces
        • Abbey Spectacular!
        • Elgar Organ Works
        • Williams, Tavener & MacMillan: Choral works
      • The organs
        • The Harrison & Harrison organ (1937)
        • The Queen's organ (Mander, 2013)
        • Summer Organ Festival
      • Concerts and events
    • Sermons
    • Christianity – some basics
  • Events
    • Bell ringing days
    • Flag days
    • Eric Symes Abbott Memorial Lectures
      • The Mystery of the Transfiguration: Seven Meditations
    • Koinonia Lectures
    • Summer season
    • Autumn season
      • Poet Laureates
      • Poet Laureate stories test
      • Poets' Corner Across the Pond
    • Spring season
  • Learning
    • Schools
      • Commonwealth Connections
    • Teaching resources
      • Catalogue
    • Families
      • At home
      • A to Z activities
    • Community groups
      • Virtual World of Work
    • Virtual tours
      • Worship and daily life
      • Monarchy
      • The Abbey and national memory
      • Building Westminster Abbey
      • Overview tour
    • Christianity in 10 objects
    • Coronation club
  • Support
    • Make a donation
    • Join the Abbey Association
      • Individual Associate membership
      • Associate and Guest membership
      • Joint Associate membership
      • Family Associate membership
      • Gift membership
    • Leave a legacy
    • American Fund for Westminster Abbey
  • History
    • History of Westminster Abbey
    • Coronations at the Abbey
      • A guide to coronations
      • Spotlight on coronations
        • Coronation Theatre
        • The Liber Regalis
        • Order of Service
        • Coronation Chair
        • Ampulla and spoon
        • Music
        • Royal regalia
      • Queens Consort of Westminster Abbey
      • Coronation stories
      • A history of coronations
    • Royalty
      • The Abbey and the Royal Family
      • Royal weddings
    • Famous people / organisations
    • Explore our History
      • Abbey bells
      • Abbey gardens
      • Abbey in Wartime
      • Abbots & Deans
      • Architecture
      • Benedictine monastery
      • Britain's Oldest Door
      • Chapter House
      • Cheyneygates
      • The Cloisters
      • College Hall
      • The Coronation Chair
      • Cosmati Pavement
      • Crib
      • Funeral and wax effigies
      • Icons at Westminster Abbey
      • Jerusalem Chamber
      • Lady Chapel
      • Misericords
      • Modern Martyrs
      • Nave
      • Oil paintings
      • Order of the Bath
      • Poets’ Corner
      • Processional banners
      • Pyx Chamber
      • The Queen Elizabeth II window
      • The Quire
      • RAF Chapel
      • Retable
      • Royal tombs
      • Stained Glass
      • Vestments and frontals
      • Wall paintings
      • A joyful noise: the bells of Westminster Abbey
      • The Wedding of William and Kate
      • Celebrating the Commonwealth
      • Buried among the kings
      • Celebrating St Edward
      • Battle of Britain 80th
      • The Nation's Memory
      • Rediscovering the Great Sacristy
      • VE Day 75
      • ANZAC Day
      • Thomas Brock 100th anniversary
      • A History of Royal Burials and Funerals
      • A reflection for Holy Week
  • About
    • Library & research
      • Using our library and archives
      • Library collection
      • Muniment collection
      • Record series
      • Catalogues
    • Abbey Review magazine
    • Mission and values
    • Governance
    • Jobs & volunteering
      • Employment opportunities
      • Volunteer at Westminster Abbey
    • Safeguarding
    • Contact us
      • Sign up to our new newsletter
    • Photography
  • Institute
    • Public programmes
    • Public service seminars
    • Fellows' programme
    • Institute people
    • Past Institute lectures
      • Dignity and Public Service
      • Healing
      • God, Gratitude and Being at Home in the World
      • Where does wise leadership come from?
      • Hope
      • Trust in public life
      • Art, Imagination and Public Service
      • Justice
      • Embracing Global Challenges
      • Truth
      • Democracy
      • Integrity
      • In the Public Eye
      • Staying Power
      • In Power
      • Stand and be counted
      • Feeding The Soul
      • Truth in the Public Square
      • The Challenge of Bioethics to Decision-Making in the UK
      • Symposium
    • Charles Gore Memorial Lectures
    • One People Oration
    • Books
  • Shop
  • Book tickets
  • English (EN)
    • English (EN)
    • Français (FR)
    • Deutsch (DE)
    • Nederlands (NL)
    • Portuguĕs (PT)
    • Español (ES)
    • Italiano (IT)
    • Polski (PL)
    • Magyar (HU)
    • Русскийязык (RU)
    • 日本語 (JA)
    • 中文 (ZH)
    • 한국의 (KO)
    • العربية (AR)
  • Choir School
  • St Margaret's Church
  • Corporate hospitality
  • Safeguarding
  • Schools
  • Teaching resources
  • Families
  • Community groups
  • Virtual tours
  • Christianity in 10 objects
  • Coronation club
  • Learning / Community groups / Case studies / Uncovering Hidden Histories
    • Schools
      • Commonwealth Connections
    • Teaching resources
      • Catalogue
    • Families
      • At home
      • A to Z activities
    • Community groups
      • Virtual World of Work
    • Virtual tours
      • Worship and daily life
      • Monarchy
      • The Abbey and national memory
      • Building Westminster Abbey
      • Overview tour
    • Christianity in 10 objects
    • Coronation club
  1. Home
  2. Learning
  3. Community groups
  4. Case studies
Photograph of a black statue in the Abbey, upside down, representing the case study Uncovering Hidden Histories
SHARE
  • Share to Facebook
  • Share to Twitter/X
  • Share to WhatsApp
  • Bookmark this page
  • Share via email

Uncovering Hidden Histories

In 2017, Westminster Abbey invited young people from around London to respond to the stories and memories held in the fabric of the building. These young consultants reflected on their experience through a variety of outcomes creating a vibrant and eclectic body of work.

5 minute read

Britain’s diverse histories, those that are celebrated and those that some might rather forget, are embedded into the floor, walls and windows of Westminster Abbey. The Hidden Histories project brought together 11 talented 16 - 24 year olds for eight weeks to think about why some of these histories so often gone untold, or are told in ways that erase marginalised communities.

Photograph of all the young consultants who worked on the Hidden Histories project

London’s youth

The group of young consultants were drawn from across London.

Photograph of all the young consultants who worked on the Hidden Histories project

London’s youth

The group of young consultants were drawn from across London.

Acting as young consultants for the Abbey, the group were given detailed tours of the Abbey which explored broad historical contexts, as well as providing access to exclusive areas like the library. They also met with behind-the-scenes staff including the Marketing Department and conservators, along with members of Dean and Chapter. The young consultants were encouraged to reflect on issues of representation in the Abbey — who is memorialised in the space and who is not? Which stories and whose perspectives are left out? And what does this selective storytelling mean for the Abbey as it reflects the nation’s story back to itself? The young people were encouraged to find a narrative that spoke to them and respond creatively in their own ways, either as individuals or in small groups.

Project aims

  • To give young consultants opportunities to make connections with others and gain experience of working within a cultural space.
  • To provide young consultants with unprecedented access to the Abbey, supporting them in developing a deeper understanding of and connection to this iconic sacred space. 
  • For the Abbey to develop an understanding of how it can make its spaces more inclusive and strive to tell the nation's stories with integrity. 
  • To begin a dialogue between the Abbey and young people, nurturing a sense of ownership for the young people and a practice of listening for the Abbey. 
Photograph of young people working on their Hidden History projects

Exploration and investigation

The young consultants had time in the Abbey after hours to experiment with creative ideas and concepts.

Photograph of young people working on their Hidden History projects

Exploration and investigation

The young consultants had time in the Abbey after hours to experiment with creative ideas and concepts.

Creative response

All of the young consultants produced exceptional pieces of art, prose or poetry in response to their time spent at the Abbey. You can explore these responses here:

In their respective pieces, Abdullah and Samir reflect on the diversity of the soldiers who served and gave their lives in the First and Second World War. They are placed at The Grave of the Unknown Warrior.

Unknown Warrior - Samir and Abdullah

In their respective pieces, Abdullah and Samir reflect on the diversity of the soldiers who served and gave their lives in the First and Second World War. They are placed at The Grave of the Unknown Warrior.

play button Play video

Unknown Warrior - Samir and Abdullah

Why can’t I watch this video?

You are unable to view this content as it is hosted by a third-party. In order to watch this video we need your permission to use marketing cookies.

Please accept marketing cookies.

You can also view cookie information and see your current consent settings.

“Lord Mountbatten is remembered for his long military career but few acknowledge his part in the Partition of India which still has negative effects in modern-day India, Pakistan and Bangladesh. This poem explores my feelings about the event and my own grandfather's experience.”

Un(knowing) - Hanna

“Lord Mountbatten is remembered for his long military career but few acknowledge his part in the Partition of India which still has negative effects in modern-day India, Pakistan and Bangladesh. This poem explores my feelings about the event and my own grandfather's experience.”

play button Play video

Un(knowing) - Hanna

Why can’t I watch this video?

You are unable to view this content as it is hosted by a third-party. In order to watch this video we need your permission to use marketing cookies.

Please accept marketing cookies.

You can also view cookie information and see your current consent settings.

“My video is about the life of Esther John, one of the 20th Century Martyrs outside the Great West Door of the Abbey. I decided to draw her story, and speed up the frames.”

Drawings from a Life - Gabriella

“My video is about the life of Esther John, one of the 20th Century Martyrs outside the Great West Door of the Abbey. I decided to draw her story, and speed up the frames.”

play button Play video

Drawings from a Life - Gabriella

Why can’t I watch this video?

You are unable to view this content as it is hosted by a third-party. In order to watch this video we need your permission to use marketing cookies.

Please accept marketing cookies.

You can also view cookie information and see your current consent settings.

In this spoken word piece, Kieran challenges the choice of commemorations in the Abbey. He makes a case for a memorial to David Bowie, by reflecting on the memorialisation of George Frederick Handel in Poets’ Corner.

1784 - Kieran

In this spoken word piece, Kieran challenges the choice of commemorations in the Abbey. He makes a case for a memorial to David Bowie, by reflecting on the memorialisation of George Frederick Handel in Poets’ Corner.

play button Play video

1784 - Kieran

Why can’t I watch this video?

You are unable to view this content as it is hosted by a third-party. In order to watch this video we need your permission to use marketing cookies.

Please accept marketing cookies.

You can also view cookie information and see your current consent settings.

Siobhan presents a series of photographs to highlight, with black and brown bodies, the story of people who were enslaved that, in the Abbey, is told through memorials to white abolitionists.

The Force of a Man and Brother - Siobhan

Siobhan presents a series of photographs to highlight, with black and brown bodies, the story of people who were enslaved that, in the Abbey, is told through memorials to white abolitionists.

play button Play video

The Force of a Man and Brother - Siobhan

Why can’t I watch this video?

You are unable to view this content as it is hosted by a third-party. In order to watch this video we need your permission to use marketing cookies.

Please accept marketing cookies.

You can also view cookie information and see your current consent settings.

Inspired by the work of Anne Bronte and May Angelou, Flourish uses her powerful poem to draw attention to the lack of women, especially black women, represented in the Abbey and particularly in Poet’s Corner.

I wonder why they dare - Flourish

Inspired by the work of Anne Bronte and May Angelou, Flourish uses her powerful poem to draw attention to the lack of women, especially black women, represented in the Abbey and particularly in Poet’s Corner.

play button Play video

I wonder why they dare - Flourish

Why can’t I watch this video?

You are unable to view this content as it is hosted by a third-party. In order to watch this video we need your permission to use marketing cookies.

Please accept marketing cookies.

You can also view cookie information and see your current consent settings.

Lara has used video to document features of her diverse friendship ground and then juxtaposed those images with text from a contemporary description of Queen Philippa of Hainault, buried in the Shrine. It invites audiences to reconsider who this woman might have been.

Philippa of Hainault - Omolara

Lara has used video to document features of her diverse friendship ground and then juxtaposed those images with text from a contemporary description of Queen Philippa of Hainault, buried in the Shrine. It invites audiences to reconsider who this woman might have been.

play button Play video

Philippa of Hainault - Omolara

Why can’t I watch this video?

You are unable to view this content as it is hosted by a third-party. In order to watch this video we need your permission to use marketing cookies.

Please accept marketing cookies.

You can also view cookie information and see your current consent settings.

Presenting the work 

At the end of the eight weeks the Abbey hosted a presentation evening. This gave the young consultants the opportunity to showcase their creative responses for friends, family, representatives from their organisations, Abbey staff and colleagues from across the cultural and heritage sector. They gave speeches, delivered tours, performed and presented their work in the spaces that had inspired them. 

All the young consultants were given an opportunity to share their creative response or discuss the ideas behind their work to an invited audience.

Drop the mic…

All the young consultants were given an opportunity to share their creative response or discuss the ideas behind their work to an invited audience.

All the young consultants were given an opportunity to share their creative response or discuss the ideas behind their work to an invited audience.

Drop the mic…

All the young consultants were given an opportunity to share their creative response or discuss the ideas behind their work to an invited audience.

  • I was so impressed by the opportunities the young people had to shape and share their own responses. It was unexpected for the Abbey to be so open to diverse interpretations.
  • After watching the presentations, I was moved and really understood the inclusivity of Westminster Abbey. I was also impressed with the fact that Westminster Abbey have initiated this programme to reach out into the community and make it more inclusive.
  • The presentations were moving, the work produced was very personal but also relatable.
  • For me, the Abbey will always be primarily a place of worship, but now I have been shown how it can be used as a tremendous creative resource for all ages. 

Developing skills and perspectives

The young consultants’ responses to the project were overwhelmingly positive. They noted in particular how useful the skills they honed during the project were to them: creativity, public speaking and teamwork would extend their CVs and help when applying for university. 

It has helped me to work toward being a curator. Showed me what it is like to work in a historical site. Behind the scenes of the space. Curators set up different ways that history is interpreted for the public...That's something I did here.

Young Consultant

During the project, there was a shift in the way the group saw the Abbey and who the space is for. At the outset, the young people mostly felt the Abbey was a space for tourists, Christians and royalty. By the end, the group stressed that the church was a place for everyone and holds real value for young people.

I feel more at home. I'm always gonna feel more at home. I'm Muslim but this feels like my local church...This place is always gonna have a place in my heart for many years to come. 

Young Consultant

The young consultants also mentioned the value of collaborating and working with others who had different lived experiences and perspectives to their own.  One member of the group said he had ‘never been in such a diverse group before’ and was ‘amazed’ to see their similarities. Another said that meeting everyone made him ‘realise that everyone is the same’ and ‘opened his eyes.’

Photographs of young people working on their Hidden History projects
Photographs of young people working on their Hidden History projects

Just the beginning

The project highlighted that the Abbey was just part of the way on a journey to becoming a more representative space where everyone might feel included in the Abbey’s story. The young consultants were eager for this progress to continue. 

The people that I have met have been friendly and welcoming and showed a willingness for change. But at the same time ... There is still work to be done. There shouldn’t be Hidden Histories as it is just history.

Young Consultant

Get in touch

Photograph of Ewen, a white male wearing glasses and a patterned shirt, with Gemma, a white woman with red hair and a pale t-shirt, standing in the cloisters at Westminster Abbey

Westminster Abbey is intricate and bold. There is so much to discover among the centuries of history and in the stories of the thousands of people connected to the building. The Abbey is a special place in our nation that many people, including young people, have heard of but may not feel welcome. Some barriers may be felt due to the age, size, faith or power linked with the building, but it is a space that belongs to all of us. The doors are open and we're ready to welcome you in and help your group uncover the Abbey that will inspire them.

Why not get in touch with Gemma and Ewen today to have a chat about your session?

Get in touch

It’s a privilege to live and work here – the Abbey really is the heart of the country and its history.

Martin - The Dean’s Verger

 
Westminster Abbey
Westminster Abbey is a UNESCO World Heritage Site
Digital Communications Award 2018 Stevie International Business Gold Award 2018

Useful links

  • Podcast
  • Jobs & volunteering
  • News & media
  • Corporate hospitality
  • Contact us
  • Support
  • Safeguarding

Contact us

The Chapter Office
Westminster Abbey
20 Dean's Yard
London
SW1P 3PA

Follow us

  • Facebook
  • Twitter/X
  • Instagram
  • YouTube
  • LinkedIn
  • Podcast

Sign up to our newsletter

Subscribe

Designed by M&C Experience Design

Developed by Pixel to Code website development in Umbraco

  • © 2025 Dean and Chapter of Westminster
  • Terms & conditions
  • Privacy policy
  • Cookies
  • Access, facilities and FAQ
  • Mission and values
  • Social engagement
Twitter/X logo Tweet this
3 300

Sign up to read the complete edition of Abbey Review

Enter your email address below and you will be able to read and watch all the articles from the latest edition of Abbey Review

Take survey No, thank you